1 00:00:08,870 --> 00:00:07,430 still is just like all the other bags 2 00:00:11,350 --> 00:00:08,880 you have a mate you'll have a map on top 3 00:00:13,990 --> 00:00:11,360 to show exactly where everything 4 00:00:15,589 --> 00:00:14,000 can be found and also a good aid for uh 5 00:00:18,150 --> 00:00:15,599 restowage when you're trying to put 6 00:00:20,310 --> 00:00:18,160 stuff back for a return 7 00:00:22,630 --> 00:00:20,320 second this bag moves lives on the mid 8 00:00:24,870 --> 00:00:22,640 deck uh usually in the 9 00:00:26,870 --> 00:00:24,880 camera yeah camera lockers usually 57 10 00:00:28,950 --> 00:00:26,880 row about second locker down with a 35 11 00:00:31,029 --> 00:00:28,960 camera they always go in the same locker 12 00:00:34,229 --> 00:00:31,039 all of your stuff is not in here however 13 00:00:36,310 --> 00:00:34,239 because we carry extra mags and film in 14 00:00:38,150 --> 00:00:36,320 the locker adjacent to it where the 15 00:00:39,910 --> 00:00:38,160 fluorescent light is in your 70 mags 16 00:00:41,990 --> 00:00:39,920 we'll have additional film cans and 17 00:00:44,069 --> 00:00:42,000 magazines in there we'll talk about that 18 00:00:47,830 --> 00:00:44,079 here 19 00:00:49,510 --> 00:00:47,840 the battery 20 00:00:51,110 --> 00:00:49,520 would be under the finder here 21 00:00:53,110 --> 00:00:51,120 and we the battery is too big to put on 22 00:00:54,790 --> 00:00:53,120 the camera we've got that new 23 00:00:57,430 --> 00:00:54,800 double a type battery and it's just too 24 00:00:59,510 --> 00:00:57,440 big to stow on the camera so we 25 00:01:01,590 --> 00:00:59,520 keep it down in the pocket 26 00:01:02,950 --> 00:01:01,600 the camera is stowed with the 5.9 lens 27 00:01:05,429 --> 00:01:02,960 on it we'll talk about the lenses you 28 00:01:07,030 --> 00:01:05,439 know separately later but that was to 29 00:01:09,030 --> 00:01:07,040 help our stowage situation out when we 30 00:01:15,830 --> 00:01:09,040 had to move the battery into its own 31 00:01:18,630 --> 00:01:16,870 okay 32 00:01:20,630 --> 00:01:18,640 this is the basic camera 33 00:01:21,670 --> 00:01:20,640 and you know itself it's not too bad 34 00:01:22,950 --> 00:01:21,680 it's unfortunate when you get the 35 00:01:24,870 --> 00:01:22,960 battery and the mag and film and all 36 00:01:28,310 --> 00:01:24,880 that stuff on there it becomes a bear 37 00:01:29,590 --> 00:01:28,320 it's about 23 pounds and that's just not 38 00:01:31,030 --> 00:01:29,600 a lot of fun to tote around your 39 00:01:32,870 --> 00:01:31,040 shoulder in one g 40 00:01:34,550 --> 00:01:32,880 consequently we 41 00:01:35,990 --> 00:01:34,560 use the camcorders to try to train in 42 00:01:37,990 --> 00:01:36,000 cinematography 43 00:01:39,109 --> 00:01:38,000 we've got six 44 00:01:41,190 --> 00:01:39,119 sony 45 00:01:43,749 --> 00:01:41,200 camcorders on order right now we've got 46 00:01:44,469 --> 00:01:43,759 a couple of the old co divisions that 47 00:01:45,910 --> 00:01:44,479 are 48 00:01:48,389 --> 00:01:45,920 still working the only one or two of 49 00:01:51,270 --> 00:01:48,399 them and we'll try to augment your eight 50 00:01:54,789 --> 00:01:52,310 eight millimeters it's just like the one 51 00:01:57,109 --> 00:01:54,799 we're flying on the dto 130 and try to 52 00:01:58,630 --> 00:01:57,119 augment your cinematography with that 53 00:02:00,310 --> 00:01:58,640 checklist yes 54 00:02:01,270 --> 00:02:00,320 absolutely set that thing up for the 55 00:02:03,270 --> 00:02:01,280 deploy 56 00:02:05,190 --> 00:02:03,280 every place in checklist that we call 57 00:02:07,510 --> 00:02:05,200 airflex out we have a note in the 58 00:02:09,190 --> 00:02:07,520 comments too you know 59 00:02:10,309 --> 00:02:09,200 to either have the filter on the easy 60 00:02:12,229 --> 00:02:10,319 way to remember the filters like pair of 61 00:02:14,229 --> 00:02:12,239 sunglasses sunlight you could have 62 00:02:15,430 --> 00:02:14,239 sunglasses on so 63 00:02:19,589 --> 00:02:15,440 easy tool 64 00:02:23,030 --> 00:02:21,030 okay 65 00:02:25,830 --> 00:02:23,040 you have fuses in here you have a 0.75 66 00:02:26,790 --> 00:02:25,840 amp fuse 67 00:02:28,869 --> 00:02:26,800 and a 68 00:02:33,589 --> 00:02:28,879 10 amp fuse that protects camera 69 00:02:36,949 --> 00:02:34,550 wow 70 00:02:40,550 --> 00:02:36,959 10 amp and 0.75 they're marked to 10 and 71 00:02:41,830 --> 00:02:40,560 0. and 0.75 on the uh on the fuses 72 00:02:43,589 --> 00:02:41,840 themselves 73 00:02:46,390 --> 00:02:43,599 that's just that's the order obviously 74 00:02:47,350 --> 00:02:46,400 well we've um we have called airflex and 75 00:02:48,630 --> 00:02:47,360 we've read all their literature and 76 00:02:51,270 --> 00:02:48,640 we've gotten conflicting information 77 00:02:52,790 --> 00:02:51,280 there so i i i kind of danced around 78 00:02:54,390 --> 00:02:52,800 that issue in the workbook because it 79 00:02:56,710 --> 00:02:54,400 was conflicting 80 00:02:57,430 --> 00:02:56,720 they keep saying camera electronics 81 00:02:59,190 --> 00:02:57,440 so 82 00:03:01,270 --> 00:02:59,200 we pull the fuses at various times to 83 00:03:04,390 --> 00:03:01,280 see what stops and basically most 84 00:03:07,589 --> 00:03:04,400 everything stops when you pull your fuse 85 00:03:09,350 --> 00:03:07,599 you fly spare fuses in the lids pull out 86 00:03:10,390 --> 00:03:09,360 the multimeter to even check the thing 87 00:03:26,710 --> 00:03:10,400 because it's not going to be obvious 88 00:03:29,030 --> 00:03:27,750 you're focusing that's right you're 89 00:03:30,949 --> 00:03:29,040 focusing the image on the ground glass 90 00:03:33,430 --> 00:03:30,959 has no has nothing to do with the focus 91 00:03:36,070 --> 00:03:33,440 of the limbs but if this is soft how are 92 00:03:37,910 --> 00:03:36,080 you going to focus the legs 93 00:03:38,869 --> 00:03:37,920 automatically 94 00:03:40,470 --> 00:03:38,879 don't lock 95 00:03:43,430 --> 00:03:40,480 the only thing about the lens is the 96 00:03:47,509 --> 00:03:43,440 aperture temperature not the focus so 97 00:03:51,270 --> 00:03:49,110 right while you're shooting this lens 98 00:03:53,110 --> 00:03:51,280 you'll always have to focus this lens is 99 00:03:55,670 --> 00:03:53,120 fixed focus so you don't that's not a 100 00:03:56,949 --> 00:03:55,680 problem this lens 101 00:03:59,350 --> 00:03:56,959 since it's 102 00:04:01,030 --> 00:03:59,360 focused in infinity everything looks a 103 00:04:02,949 --> 00:04:01,040 little bit soft it's not the sharpest 104 00:04:04,550 --> 00:04:02,959 image in the world but with this lens 105 00:04:06,550 --> 00:04:04,560 it's very very critical particularly 106 00:04:08,550 --> 00:04:06,560 after you zoom in on something 107 00:04:10,070 --> 00:04:08,560 you will really notice any out of focus 108 00:04:12,149 --> 00:04:10,080 condition so 109 00:04:13,509 --> 00:04:12,159 focus that finder 110 00:04:16,469 --> 00:04:13,519 over here is your 111 00:04:18,870 --> 00:04:16,479 exposure scale uh underexposure to the 112 00:04:20,949 --> 00:04:18,880 top overexposure to the bottom proper 113 00:04:23,030 --> 00:04:20,959 exposure is the dark dot in the middle 114 00:04:24,629 --> 00:04:23,040 lost two packs right you got 15 volts 115 00:04:27,030 --> 00:04:24,639 per pack but then they're in parallel to 116 00:04:29,189 --> 00:04:27,040 provide those about the amperage and one 117 00:04:30,390 --> 00:04:29,199 of the things we don't usually pop these 118 00:04:31,430 --> 00:04:30,400 things off 119 00:04:33,830 --> 00:04:31,440 on each one 120 00:04:36,950 --> 00:04:33,840 and take the whole take one module out 121 00:04:38,710 --> 00:04:36,960 right and you can use batteries from it 122 00:04:40,390 --> 00:04:38,720 to power your 123 00:04:41,990 --> 00:04:40,400 hasselblad 124 00:04:43,510 --> 00:04:42,000 remember that's why we went although we 125 00:04:44,790 --> 00:04:43,520 we do have other batteries you can draw 126 00:04:47,590 --> 00:04:44,800 on before you get to these but there is 127 00:04:48,790 --> 00:04:47,600 that option this back will actually run 128 00:04:51,749 --> 00:04:48,800 longer right 129 00:04:53,749 --> 00:04:51,759 it has run as many as 15 mags full mags 130 00:04:54,950 --> 00:04:53,759 of film and you only fly 12 but of 131 00:04:56,390 --> 00:04:54,960 course that was 132 00:04:57,909 --> 00:04:56,400 not being real sloppy with you know 133 00:04:58,790 --> 00:04:57,919 leave it in standby in the embarrassing 134 00:05:00,870 --> 00:04:58,800 but 135 00:05:03,189 --> 00:05:00,880 it has the capacity to run for the 136 00:05:04,070 --> 00:05:03,199 entire load that you carry 137 00:05:06,390 --> 00:05:04,080 um 138 00:05:07,670 --> 00:05:06,400 battery check we incorporated a battery 139 00:05:09,029 --> 00:05:07,680 test in this thing switching this way 140 00:05:10,710 --> 00:05:09,039 you don't have to use this test button 141 00:05:12,629 --> 00:05:10,720 to test the battery 142 00:05:14,469 --> 00:05:12,639 push the button down you should see hold 143 00:05:15,830 --> 00:05:14,479 it down for two or three seconds 144 00:05:20,070 --> 00:05:15,840 you should see a steady green light 145 00:05:20,080 --> 00:05:23,350 so this is uh 146 00:05:26,629 --> 00:05:25,270 we have in your checklist that's the way 147 00:05:28,150 --> 00:05:26,639 it works 148 00:05:29,830 --> 00:05:28,160 no it should not go out it shuts down as 149 00:05:31,670 --> 00:05:29,840 long as i hold the thing on there's a 150 00:05:33,590 --> 00:05:31,680 variety of things you can see steady 151 00:05:35,590 --> 00:05:33,600 green is what you expect to see if you 152 00:05:37,990 --> 00:05:35,600 see the green go out you see a green and 153 00:05:39,749 --> 00:05:38,000 red or if you just see a red that means 154 00:05:41,510 --> 00:05:39,759 it's dropped below the nine and a half 155 00:05:43,029 --> 00:05:41,520 to ten point three volt threshold and 156 00:05:45,590 --> 00:05:43,039 it's supposed to illuminate the red 157 00:05:47,990 --> 00:05:46,870 well i mean i just see that little 158 00:05:49,510 --> 00:05:48,000 picture 159 00:05:51,510 --> 00:05:49,520 okay is that all i'm supposed to say 160 00:05:54,629 --> 00:05:51,520 well if you turn the turn the thing on 161 00:05:56,950 --> 00:05:54,639 you'll turn the switch on there 162 00:05:58,310 --> 00:05:56,960 what you want to do is put in standby 163 00:05:59,430 --> 00:05:58,320 and then turn it on while you're looking 164 00:06:03,110 --> 00:05:59,440 at it and you see a little red light 165 00:06:16,230 --> 00:06:04,629 the 166 00:06:20,230 --> 00:06:16,240 as this lens only stops down to 167 00:06:22,390 --> 00:06:20,240 f-16 or t-16 if you will 168 00:06:24,469 --> 00:06:22,400 that's not stopping down quite far 169 00:06:25,909 --> 00:06:24,479 enough and in some environments looking 170 00:06:28,070 --> 00:06:25,919 out the window we we would be 171 00:06:29,590 --> 00:06:28,080 overexposing and so 172 00:06:31,350 --> 00:06:29,600 they built a little neutral density into 173 00:06:32,710 --> 00:06:31,360 the filter to cut down the light just a 174 00:06:35,830 --> 00:06:32,720 little bit more particularly if you were 175 00:06:40,790 --> 00:06:35,840 having to use a 320 film outside 176 00:06:44,070 --> 00:06:42,790 yeah it flops around a little bit 177 00:07:14,870 --> 00:06:44,080 the flight ones are a little bit tighter 178 00:07:14,880 --> 00:07:27,909 okay 179 00:07:34,870 --> 00:07:29,350 yeah we'll take that up here in just a 180 00:07:34,880 --> 00:07:38,469 it's easier to see this way 181 00:07:42,550 --> 00:07:40,150 this is where john had problems with his 182 00:07:44,390 --> 00:07:42,560 drive belt 183 00:07:45,909 --> 00:07:44,400 is what had happened is it slipped off 184 00:07:48,070 --> 00:07:45,919 of this idler arm 185 00:07:49,670 --> 00:07:48,080 is what it did 186 00:07:51,350 --> 00:07:49,680 and 187 00:07:53,510 --> 00:07:51,360 then there was so much mass over here 188 00:07:55,270 --> 00:07:53,520 couldn't get started again so you got to 189 00:08:05,029 --> 00:07:55,280 watch that we're fixing that so 190 00:08:08,390 --> 00:08:05,990 that's the way it should be it's a 191 00:08:10,070 --> 00:08:08,400 v-belt it only goes on one direction 192 00:08:11,909 --> 00:08:10,080 it's like putting a bicycle chain okay 193 00:08:14,469 --> 00:08:11,919 get one side started and then just 194 00:08:20,869 --> 00:08:17,589 i can't drive race cars 195 00:08:21,990 --> 00:08:20,879 there you go right back just like that 196 00:08:22,869 --> 00:08:22,000 and that's going down now you see 197 00:08:25,430 --> 00:08:22,879 there's no 198 00:08:27,909 --> 00:08:25,440 when you do that you're also turning the 199 00:08:30,390 --> 00:08:27,919 film inside right and 200 00:08:32,630 --> 00:08:30,400 also doing stuff 201 00:08:33,670 --> 00:08:32,640 to the film that you just threaded right 202 00:08:34,790 --> 00:08:33,680 so 203 00:08:35,829 --> 00:08:34,800 you got to be careful you've got to be 204 00:08:36,709 --> 00:08:35,839 careful 205 00:08:38,070 --> 00:08:36,719 okay 206 00:08:40,790 --> 00:08:38,080 too much right 207 00:08:44,230 --> 00:08:40,800 one way to do that while you're still 208 00:08:47,750 --> 00:08:46,230 you don't want that to happen 209 00:09:06,949 --> 00:08:47,760 and the reason that happened is because 210 00:09:09,990 --> 00:09:08,790 that's okay yeah yeah 211 00:09:12,710 --> 00:09:10,000 cause you're just slipping the drive 212 00:09:15,110 --> 00:09:12,720 belt in there you're not really 213 00:09:17,990 --> 00:09:15,120 really doing anything of major damage at 214 00:09:21,670 --> 00:09:20,550 so does that mess up the uh 215 00:09:23,190 --> 00:09:21,680 it should 216 00:09:24,790 --> 00:09:23,200 this these are not affected by anything 217 00:09:26,949 --> 00:09:24,800 that happens out here 218 00:09:28,790 --> 00:09:26,959 once these two pins are captured that's 219 00:09:29,670 --> 00:09:28,800 my stuff let's see what you're talking 220 00:09:34,389 --> 00:09:29,680 about 221 00:09:38,790 --> 00:09:36,630 and so we have this only direction in 222 00:09:40,150 --> 00:09:38,800 this era 223 00:09:41,590 --> 00:09:40,160 which is 224 00:09:43,030 --> 00:09:41,600 that's the way it goes if you turn it 225 00:09:45,389 --> 00:09:43,040 backwards what happens is it starts 226 00:09:47,910 --> 00:09:45,399 piling up because this doesn't take 227 00:09:58,070 --> 00:09:47,920 up real 228 00:09:58,080 --> 00:10:07,750 kind of bunched up down there 229 00:10:14,069 --> 00:10:10,870 and you can see the way this is working 230 00:10:19,110 --> 00:10:16,670 opening and closing through the front of 231 00:10:20,470 --> 00:10:19,120 the front of the camera 232 00:10:21,350 --> 00:10:20,480 what's happening 233 00:10:26,949 --> 00:10:21,360 is 234 00:10:28,550 --> 00:10:26,959 it's not moving at all while that 235 00:10:30,550 --> 00:10:28,560 shutter is open 236 00:10:32,710 --> 00:10:30,560 as the shutter closes it's closing now 237 00:10:35,190 --> 00:10:32,720 this pin grabs it pulls the next frame 238 00:10:37,350 --> 00:10:35,200 down these are going to go back in it's 239 00:10:38,949 --> 00:10:37,360 going to make the next exposure 240 00:10:41,350 --> 00:10:38,959 and so it's going round and around and 241 00:10:44,630 --> 00:10:41,360 around like that doing that 24 times a 242 00:10:48,389 --> 00:10:44,640 second which gives you a 160th of a just 243 00:10:51,829 --> 00:10:49,829 so you can imagine that stuff's flying 244 00:10:53,750 --> 00:10:51,839 around in there 245 00:10:55,269 --> 00:10:53,760 pretty pretty quickly so uh whenever 246 00:10:56,470 --> 00:10:55,279 you're doing this unplug the intricate 247 00:11:05,030 --> 00:10:56,480 little 248 00:11:09,110 --> 00:11:06,630 and that that's not a twist that's just 249 00:11:11,750 --> 00:11:09,120 a 90 degree turn there that's a hole 250 00:11:18,630 --> 00:11:11,760 it's just it's just 360 degrees it 251 00:11:18,640 --> 00:11:22,710 is this a flight camera yes 252 00:11:27,030 --> 00:11:25,350 so that what i feel here for pressure 253 00:11:28,710 --> 00:11:27,040 there's not really much of a detent 254 00:11:31,910 --> 00:11:28,720 there or anything on that 255 00:11:35,990 --> 00:11:33,990 it's just a 256 00:11:38,550 --> 00:11:36,000 it just can't count and it's not it 257 00:11:40,069 --> 00:11:38,560 doesn't even doesn't even get tight yeah 258 00:11:44,790 --> 00:11:40,079 as long as we're going the direction the 259 00:11:49,509 --> 00:11:46,470 yeah don't forget to reset your film 260 00:11:51,670 --> 00:11:49,519 counter that's the next step 261 00:11:52,790 --> 00:11:51,680 now 262 00:11:54,710 --> 00:11:52,800 you can tell you've got power to the 263 00:11:56,630 --> 00:11:54,720 camera whenever you've got digits in 264 00:11:59,030 --> 00:11:56,640 that lower display 265 00:12:00,310 --> 00:11:59,040 now that power comes from really two 266 00:12:03,269 --> 00:12:00,320 sources 267 00:12:04,790 --> 00:12:03,279 ac it's no it's dc it comes off cabin 268 00:12:14,310 --> 00:12:04,800 payload bus 269 00:12:18,230 --> 00:12:16,069 no this is this is all 270 00:12:19,750 --> 00:12:18,240 manual mechanically driven 271 00:12:21,350 --> 00:12:19,760 and you reset this mechanical counter 272 00:12:25,670 --> 00:12:21,360 teaching and the mechanical counter just 273 00:12:29,190 --> 00:12:27,030 these two are nothing more than 274 00:12:30,310 --> 00:12:29,200 redundancy for these type right 275 00:12:32,230 --> 00:12:30,320 these are electronic these are 276 00:12:33,910 --> 00:12:32,240 mechanical so you do everything 277 00:12:39,350 --> 00:12:33,920 basically when you reset that you 278 00:12:44,629 --> 00:12:42,150 the one amp is for the display 279 00:12:46,389 --> 00:12:44,639 it's only the additional display 280 00:12:47,430 --> 00:12:46,399 and the five outputs for the electronics 281 00:12:51,110 --> 00:12:47,440 in the camera 282 00:12:54,949 --> 00:12:53,269 we have just you know exposure reminder 283 00:12:55,910 --> 00:12:54,959 again 160th of a second on the spot 284 00:12:58,550 --> 00:12:55,920 meter 285 00:13:00,790 --> 00:12:58,560 orange filters for outside filming clear 286 00:13:02,870 --> 00:13:00,800 filters for inside filter 287 00:13:04,310 --> 00:13:02,880 the settings are on the lens the 288 00:13:17,350 --> 00:13:04,320 scene that you're 289 00:13:21,190 --> 00:13:18,790 there's a way to do it but you won't be 290 00:13:23,509 --> 00:13:21,200 getting into that 291 00:13:26,870 --> 00:13:23,519 uh on off switch just that's what it 292 00:13:30,790 --> 00:13:29,190 which is duplicated by the 293 00:13:32,550 --> 00:13:30,800 buttons on 294 00:13:47,350 --> 00:13:32,560 yeah the hand handle if you were to use 295 00:13:51,110 --> 00:13:49,110 so we have to sort of 296 00:13:52,949 --> 00:13:51,120 plan for that 297 00:13:54,550 --> 00:13:52,959 we'll also be looking through the 298 00:13:55,910 --> 00:13:54,560 viewfinder and getting used to seeing 299 00:13:58,470 --> 00:13:55,920 the ground glass and setting up the 300 00:14:02,310 --> 00:14:00,550 check the lenses make sure the elements 301 00:14:03,910 --> 00:14:02,320 are clean especially the back one before 302 00:14:05,509 --> 00:14:03,920 you put it on 303 00:14:07,030 --> 00:14:05,519 make sure there's no big things growing 304 00:14:09,910 --> 00:14:07,040 on the 305 00:14:11,910 --> 00:14:09,920 beam splitter in there 306 00:14:13,910 --> 00:14:11,920 and one of the simplest ways to make 307 00:14:15,509 --> 00:14:13,920 sure it seats right is to always hold 308 00:14:17,670 --> 00:14:15,519 that locking ring so it doesn't slip 309 00:14:19,990 --> 00:14:17,680 over if you hold it 310 00:14:22,470 --> 00:14:20,000 apply the lens in and you align this 311 00:14:24,550 --> 00:14:22,480 sort of up with the longitudinal axis of 312 00:14:26,710 --> 00:14:24,560 the camera 313 00:14:28,550 --> 00:14:26,720 and it should just go right into right 314 00:14:30,470 --> 00:14:28,560 into place like that 315 00:14:32,389 --> 00:14:30,480 and then just go ahead and snug it over 316 00:14:36,150 --> 00:14:32,399 here 317 00:14:38,389 --> 00:14:36,160 positive it's just it's a clamping ring 318 00:14:40,710 --> 00:14:38,399 it's not a locking look at the scene 319 00:14:42,829 --> 00:14:40,720 determine where you want to frame 320 00:14:45,350 --> 00:14:42,839 what you're shooting what the action 321 00:14:49,990 --> 00:14:45,360 is once you've determined all that you 322 00:14:53,110 --> 00:14:51,350 and you want to make the scene sharp 323 00:14:55,030 --> 00:14:53,120 like the circle 324 00:14:58,870 --> 00:14:55,040 and the scene that you focus so you want 325 00:15:00,150 --> 00:14:58,880 to be where your main action is 326 00:15:01,590 --> 00:15:00,160 you know 327 00:15:02,870 --> 00:15:01,600 you may have something going on over in 328 00:15:04,230 --> 00:15:02,880 the corner if that's not your main 329 00:15:05,750 --> 00:15:04,240 action you don't want to focus in the 330 00:15:08,310 --> 00:15:05,760 corner you want to focus where your main 331 00:15:10,550 --> 00:15:08,320 action is going on 332 00:15:22,710 --> 00:15:10,560 something here that you can focus on do 333 00:15:22,720 --> 00:15:33,590 he looks wide awake 334 00:15:33,600 --> 00:15:44,790 a little bit more defined than that 335 00:15:50,629 --> 00:15:45,829 okay 336 00:15:52,790 --> 00:15:50,639 you don't think that's focused no i 337 00:15:56,870 --> 00:15:52,800 don't think so it doesn't look right 338 00:16:01,350 --> 00:15:58,470 check your eyepiece again now let me let 339 00:16:02,150 --> 00:16:01,360 me let me put this wide up here 340 00:16:03,670 --> 00:16:02,160 and 341 00:16:18,629 --> 00:16:03,680 do your eyepiece again just looking at 342 00:16:18,639 --> 00:16:34,069 eye right eye 343 00:16:34,079 --> 00:16:41,910 focus on 344 00:16:45,189 --> 00:16:43,590 i'm a ghost 345 00:16:46,310 --> 00:16:45,199 hold still there mike 346 00:16:48,550 --> 00:16:46,320 you're not gonna have a great deal of 347 00:16:50,470 --> 00:16:48,560 depth of field you can just look at look 348 00:16:52,310 --> 00:16:50,480 at where it says mike on his shirt 349 00:16:53,749 --> 00:16:52,320 just get that in focus 350 00:16:58,550 --> 00:16:53,759 not not paying any attention to that 351 00:16:58,560 --> 00:17:07,189 that's gorgeous country yeah 352 00:17:07,199 --> 00:17:44,630 as you get closer to the camera 353 00:17:49,830 --> 00:17:48,150 all right well get down over there go go 354 00:17:51,669 --> 00:17:49,840 before those guys are the boards right 355 00:17:52,870 --> 00:17:51,679 back in there 356 00:17:54,789 --> 00:17:52,880 wait a minute and then you can do 357 00:17:57,110 --> 00:17:54,799 something but i'm going to focus you 358 00:17:58,390 --> 00:17:57,120 now if i have them like out in there 359 00:18:00,470 --> 00:17:58,400 doing something then they're going to go 360 00:18:02,549 --> 00:18:00,480 in and out of focus so how do you keep 361 00:18:05,669 --> 00:18:02,559 getting them focused okay well 362 00:18:09,590 --> 00:18:08,150 well okay what what it is partly is the 363 00:18:11,029 --> 00:18:09,600 low contrast 364 00:18:15,909 --> 00:18:11,039 light that we're in 365 00:18:19,909 --> 00:18:18,470 on the ground glass becomes the 366 00:18:28,549 --> 00:18:19,919 edge of the resolution of the whole 367 00:18:32,310 --> 00:18:29,990 you always want you always want to go in 368 00:18:43,590 --> 00:18:32,320 the direction of this arrow 369 00:18:43,600 --> 00:18:46,870 there we go 370 00:18:46,880 --> 00:18:52,950 rolling